The next 4 Last Wednesday morning meeting will now take place outside –
June 30th
Botanics. We will meet at the coffee cart by Inverleith House (Terrace Cafe) from 10:30am. To visit the gardens you need to book a free time slot ticket for the day/time via Eventbrite -> HERE
July 28th
Saughton Park. We will meet by the cafe from 10:30am
August 25th
Saughton Park. We will meet by the cafe from 10:30am
September 29th
Botanics. We will meet at the coffee cart by Inverleith House (Terrace Cafe) from 10:30am. To visit the gardens you need to book a free time slot ticket for the day/time via Eventbrite -> HERE
For October and November we will meet at the Cafe at the Printmakers (Fountainbridge/Lemington) from 10:30am – they have both indoor and outdoor space.
Summer Sunday Photowalks
Photowalks are planned for the following dates, meeting at 11:00am (last Sunday of each month.)
July 25th – Cammo Estate and Crammond Brig
August 29th – Loch Leven
September 26th – South Queensferry
In the unlikely event our numbers are greater than government guidelines we will split into 2 or more separate groups. Social distancing should be maintained at all times. Please bring masks, hand sanitiser and follow any other rules in force at the date of the meeting.
If you are running late please text or DM for the groups location. Limited carpooling in accordance with guidelines is available – email if you need a lift.
The 2nd Tuesday monthly evening meetings will remain ONLINE.
We are not sure where the phrase Lockdown Lumens started but there are plenty being made at the moment given everyones confinement and nice sunny weather here in Scotland.
Lumen Basics
B&W photographic paper is exposed to UV or artificial light, masked with objects or a negative until the paper turns a pleasing colour. The print is then scanned or fixed to retain the image. No developer is used.
Lumen from paper negative. From the Lower City series, E Robson.
The Art Bit
As with photograms the composition is probably more important than the chemistry! Inventive uses for household objects can take these beyond the everyday and into the narrative or abstract. Saying that, plant matter produces delicate and beautiful results and negatives of all sizes work well too.
Tulips and tea, sprayed with hand sanitiser under glass on Illford MGIV paper for a 1 hour sunny exposure. E Robson.
The Science Bit
How do you get colour from black and white paper?
As more intense light is allowed to fall on the paper, over a prolonged exposure period, coloured areas form. This is caused by silver atoms clumping on the silver halide particles and reflecting different wavelengths. As more free silver is liberated by the light energy reaction the ‘print out’ on the paper becomes coloured. First appearing yellow, pink, then sepia, then red-brown and finally as a purple slate gray shade as the clump particle size increases.
What factors Affect how the lumen will appear?
Density of objects placed on the paper -how much light reaches the paper surface. Objects in contact with the paper will be crisper so use a sheet of glass to hold everything in place. (Check the glass does not have a UV coating!)
Intensity of light – bright sunlight, overcast, LEDs, fluorescent light will all give different effects.
Colour of light – black and white paper is designed to be used in darkroom conditions so red light has little effect on it.
Time of exposure – a long exposure usually leads to more darker prints. Lumens can be left for seconds to days!
Temperature – warmer will usually result in darker more colourful images.
Paper type – Ilford warmtone will give a different colour range to Kodak bromide or Fomaspeed Variant. Old out of date or fogged papers are perfect for producing lumens.
PH- acids make the print pinker, alkalis make the print more grey or brown.
Pink (dipped in vinegar) and brown (dipped in bicarbonate of soda solution) orchids. E Robson
How do you preserve the lumen?
The lumen will be fugitive after exposure. Many people scan the lumen to preserve the fresh colours. The lumen can be fixed using an alkaline fixer (such as 10g sodium thiosulphate / 1g sodium carbonate/ 100ml distilled water) but this will cause some bleaching of the colours.
At a previous LoFi meet we discussed “Loomens” – that is using a very long water wash to remove as much of the reactive chemicals as possible. The only dark tank with changing water we could think of was the toilet cistern – pop the print in the back, out of the way of the flush mechanism, and leave it for a month!
Ready for the long wash. E Robson.
What next?
Try Anthrotypes if you enjoy the UV aspect and make your own photosensitive materials. Liquid light can allow for lumens on all sorts of surfaces. Try coating the B&W paper with cyanotype fluid first to make cyanolumens!
Trying this out?
Email in your results or tag us on social media for repost – we would love to see the results.
Check out work by Olive Dean and Mandy Kerr – they have lots of example works available through the links in their galleries.
