Film and stuff.
Day 12 and Dan Clipsom records the seasonal change On a smallholding, near York
The slow, methodical, procedural nature of pinhole photography as an art, mirrors the process and cycles inherent in the production of food crops and other productive flora.
D Clipsom
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Adventures with Pinhole Cameras by Graeme Pow brings us to day 11.
Through the gardens, rivers and scenic places of Edinburgh the unique viewpoint of the pinhole camera sees vistas afresh.
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Brittonie Fletcher looks through her collection of throwbacks to bring us day 10.
Do you remember your first pinhole photograph? Where were you on pinhole day? As a group Lofi has formed some wonderful memories of shared experiences. Brittonie Fletcher reminds us of this with today’s gallery of work.
Brittonie Fletchers work may also be seen at the 2020 RSA Annual Exhibition.
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Mandy Kerr experiments with different pinhole formats to see how the camera forms subconscious images. 35mm and anamorphic scenes.
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Slow photographer and poet, Roddy Shippin’s project Up Above the Streets and Houses uses DIY beer can solargraphs to produced images exposed between 6 months and a year – Southfacing towards Bruntsfield, Edinburgh.
He has recently coined the phrase “Coronagram” – a chemigram made with expired cupbard contents. More information on an upcoming workshop with Brittonie Fletcher soon.
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A Summer Meander from Elaine Robson brings us to day 7 of our online exhibition. 3 pinholes, 3 coloured Quality Street wrappers and an idle through the Scottish countryside last year.
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The North Sea by Alan Borthwick brings us to day 6 of our online pinhole photography exhibition.
The sculptural coastline is illuminated by glorious winter sun for this set of colour negatives taken just before lock down at end of February.
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Day 5 brings us memories of last September – Culross, Fife by Ali Millar.
The Noon wooden pinhole camera captures the delecate textures and scenes from the Pier to the Abbey as a Sunday summer photowalk wound up the hill through the historic village.
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Day 4 colour pinhole photographs by Judith Rowan. Multiple exposures and exploratory viewpoints delve into the tone and spirit of various locations.
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Day 3. Where has all the music gone? by Olive Dean. A set of pinhole photographs of the Saughton Bandstand lead the ever present shadow of the viewer towards the empty stucture. Nostalgic and a little eerie, the works explore the newly restored pavillion.
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